11/22/2023 0 Comments Bjork debut daye![]() ![]() “I will jump off a cliff any day – that’s not what I’m scared of – and I’ll still be attracted to eccentrics, there’s no stopping me there. “But I want to make very clear that that’s not because of this film. “I don’t think I will ,” Bjork says during a visit to New York for the film’s premiere. Nor is she gun-shy because of the reportedly fraught relationship she had with the equally intense, idiosyncratic von Trier. She stresses, however, that this is not because of the famously difficult time she had on the Danish set, where she immersed herself so thoroughly in her put-upon character that she “started to become her.” The fey Icelandic singer says her first acting performance – a wrenching, emotionally naked turn as a childlike Czech immigrant in Lars von Trier’s musical melodrama “Dancer in the Dark” – will also be her last. And Post standout "Isobel" is perhaps one of the more gentle tracks off an album dominated by trip-hop and jazz.SHE gives us a fleeting glimpse of a prodigious natural talent, scoops up a Best Actress award at Cannes, and then, like the will-o’-the-wisp she resembles, Bjork is gone. Homogenic opener "Hunter" is tailor-made for an orchestral performance, even if it lacked the original's ominous drumming. And while she doesn't have a chart-topping selection in the traditional sense, fans definitely have their favorites. It also had the unintended effect of confusing the audience, which never knew for sure if the song had ended.Īfter the agony of "Black Lake," Björk gave the crowd what they wanted: the hits. The song featured several pauses that injected a sense of exhaustion and defeat. The night's most memorable performance may have been "Black Lake," the painfully raw breakup song off of Vulnicura. And despite her years performing live, her voice remains as flawless as ever and almost indistinguishable from what you hear on recorded tracks. She can go from a whisper to a growl in a second. There was no choir nor any prerecorded accompaniment to help her out.Īnd Björk's power has always come from her vocal delivery. And in an age when even live performances often use backtracks and real-time pitch correction, it was refreshing to see someone with Björk's vocal prowess go at it alone. Photo by Santiago Felipe By the second song, "Aurora" (the only Vespertine track performed), the orchestra was showing its dexterity, employing pizzicato to mimic the microbeats of the original track.īeing an "unplugged" performance meant that Björk and her team had to get creative in order to evoke the sonic textures heard on the recordings. When she walked out on stage in a gorgeous pleated dress that resembled an elaborate kimono with her face adorned in metallic shielding, the hall erupted in applause as the singer went straight into "Stonemilker." Behind her stood Icelandic conductor Viktor Orri Árnason and a 32-person string orchestra made up of local musicians. (The show was presented by III Points and Club Space.) Björk had never performed live in Miami, so it felt like a rare treat to see an iconic musician finally grace the stage in our city. ![]() (Fan favorites like Medúlla and Biophilia were also notably absent.)īut that didn't seem to bother anyone in the crowd. Oddly, not a single track off Utopia was featured. ![]() The night's setlist, which could be previewed before the show started thanks to a posted QR code, showed the performance would rely heavily on tracks from 2015's Vulnicura and 1997's Homegenic. That was evident on Sunday night when Bjork took the stage at the Knight Concert Hall at the Adrienne Arsht Center for the Performing Arts. Free from Cornucopia's conceptual ties to the singer's 2017 album, Utopia, Orkestral is able to deliver the "hits," so to speak, in a way that Cornucopia could not. With all the hype that surrounded Björk's COVID-interrupted Cornucopia concert tour, which was billed as her most elaborate stage show to date, it might have felt as though Miami was going to receive a somewhat lesser show for the Björk Orkestral performance.Īnd yes, Orkestral lacks Cornucopia's audiovisual wow factor - but seeing Björk reinterpret some of her best-known songs to fit the "unplugged" aesthetic is no less thrilling.
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